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Phallus indusiatus, commonly called the basket stinkhorn, bamboo mushrooms, bamboo pith, long net stinkhorn, crinoline stinkhorn, bridal veil, or veiled lady, is a fungus in the family Phallaceae, or stinkhorns. It has a cosmopolitan distribution in tropical areas, and is found in southern Asia, Africa, the Americas, and Australia, where it grows in woodlands and gardens in rich soil and well-rotted woody material. The fruit body of the fungus is characterised by a conical to bell-shaped cap on a stalk and a delicate lacy "skirt", or indusium, that hangs from beneath the cap and reaches nearly to the ground. First described scientifically in 1798 by French botanist Étienne Pierre Ventenat, the species has often been referred to a separate genus Dictyophora along with other Phallus species featuring an indusium. P. indusiatus can be distinguished from other similar species by differences in distribution, size, color, and indusium length.
The Sakyamuni Buddha, by Song painter Zhang Shengwen, c. AD 1181–1186; although Buddhism was in decline and under attack by Neo-Confucian critics in the Song era, it nonetheless remained one of the major religious ideologies in China.
Chinese society during the Song dynasty (AD 960–1279) was marked by political and legal reforms, a philosophical revival of Confucianism, and the development of cities beyond administrative purposes into centers of trade, industry, and maritime commerce. The inhabitants of rural areas were mostly farmers, although some were also hunters, fishers, or government employees working in mines or the salt marshes. Conversely, shopkeepers, artisans, city guards, entertainers, laborers, and wealthy merchants lived in the county and provincial centers along with the Chinese gentry—a small, elite community of educated scholars and scholar-officials. As landholders and drafted government officials, the gentry considered themselves the leading members of society; gaining their cooperation and employment was essential for the county or provincial bureaucrat overburdened with official duties. In many ways, scholar-officials of the Song period differed from the more aristocratic scholar-officials of the Tang dynasty (618–907). Civil service examinations became the primary means of appointment to an official post as competitors vying for official degrees dramatically increased. Frequent disagreements amongst ministers of state on ideological and policy issues led to political strife and the rise of political factions. This undermined the marriage strategies of the professional elite, which broke apart as a social group and gave way to a multitude of families that provided sons for civil service.
Confucian or Legalist scholars in ancient China—perhaps as far back as the late Zhou dynasty (c. 1046–256 BC)—categorized all socioeconomic groups into four broad and hierarchical occupations (in descending order): the shi (scholars, or gentry), the nong (peasant farmers), the gong (artisans and craftsmen), and the shang (merchants). Wealthy landholders and officials possessed the resources to better prepare their sons for the civil service examinations, yet they were often rivaled in their power and wealth by merchants of the Song period. Merchants frequently colluded commercially and politically with officials, despite the fact that scholar-officials looked down on mercantile vocations as less respectable pursuits than farming or craftsmanship. The military also provided a means for advancement in Song society for those who became officers, even though soldiers were not highly respected members of society. Although certain domestic and familial duties were expected of women in Song society, they nonetheless enjoyed a wide range of social and legal rights in an otherwise patriarchal society. Women's improved rights to property came gradually with the increasing value of dowries offered by brides' families. (Full article...)
Cai Lun (Chinese: 蔡伦; courtesy name: Jingzhong (敬仲); c. 50–62 – 121 CE), formerly romanized as Ts'ai Lun, was a Chinese eunuch court official of the Eastern Han dynasty. He occupies a pivotal place in the history of paper due to his addition of pulp via tree bark and hemp ends which resulted in the large-scale manufacture and worldwide spread of paper. Although traditionally regarded as the inventor of paper, earlier forms of paper have existed since the 3rd century BCE, so Cai's contributions are limited to innovation, rather than invention.
Born in Guiyang Commandery [zh] (in what is now Leiyang), Cai arrived at the imperial court in Luoyang by 75 CE, where he served as a chamberlain for Emperor Ming, and then as Xiao Huangmen, an imperial messenger for Emperor Zhang. To assist Lady Dou in securing her adopted son as designated heir, he interrogated Consort Song and her sister, who then killed themselves. When Emperor He ascended the throne in 88 CE, Dou awarded Cai with two positions: Zhongchang shi [zh], a political counselor to the emperor that was the highest position for eunuchs of the time, and also as Shangfang Ling, where Cai oversaw the production of instruments and weapons at the Palace Workshop. (Full article...)
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Choe Bu (Korean: 최부, 1454–1504) was a Korean diarist, historian, politician, and travel writer during the early Joseon Dynasty. He was most well known for the account of his shipwrecked travels in China from February to July 1488, during the Ming dynasty (1368–1644). He was eventually banished from the Joseon court in 1498 and executed in 1504 during two political purges. However, in 1506 he was exonerated and given posthumous honors by the Joseon court.
Choe's diary accounts of his travels in China became widely printed during the 16th century in both Korea and Japan. Modern historians also refer to his written works, since his travel diary provides a unique outsider's perspective on Chinese culture in the 15th century. The attitudes and opinions expressed in his writing represent in part the standpoints and views of the 15th century Confucian Korean literati, who viewed Chinese culture as compatible with and similar to their own. His description of cities, people, customs, cuisines, and maritime commerce along China's Grand Canal provides insight into the daily life of China and how it differed between northern and southern China during the 15th century. (Full article...)
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Tintin in Tibet (French: Tintin au Tibet) is the twentieth volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. It was serialised weekly from September 1958 to November 1959 in Tintin magazine and published as a book in 1960. Hergé considered it his favourite Tintin adventure and an emotional effort, as he created it while suffering from traumatic nightmares and a personal conflict while deciding to leave his wife of three decades for a younger woman. The story tells of the young reporter Tintin in search of his friend Chang Chong-Chen, who the authorities claim has died in a plane crash in the Himalayas. Convinced that Chang has survived and accompanied only by Snowy, Captain Haddock and the Sherpa guide Tharkey, Tintin crosses the Himalayas to the plateau of Tibet, along the way encountering the mysterious Yeti.
Following The Red Sea Sharks (1958) and its large number of characters, Tintin in Tibet differs from other stories in the series in that it features only a few familiar characters and is also Hergé's only adventure not to pit Tintin against an antagonist. Themes in Hergé's story include extrasensory perception, the mysticism of Tibetan Buddhism, and friendship. Translated into 32 languages, Tintin in Tibet was widely acclaimed by critics and is generally considered to be Hergé's finest work; it has also been praised by the Dalai Lama, who awarded it the Light of Truth Award. The story was a commercial success and was published in book form by Casterman shortly after its conclusion; the series itself became a defining part of the Franco-Belgian comics tradition. Tintin in Tibet was adapted for the 1991 Ellipse/Nelvana animated series The Adventures of Tintin, the 1992–93 BBC Radio 5 dramatisation of the Adventures, the 1996 video game of the same name, and the 2005–06 Young Vic musical Hergé's Adventures of Tintin; it was also prominently featured in the 2003 documentary Tintin and I and has been the subject of a museum exhibition. (Full article...)
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Comparison between Gwoyeu Romatzyh (top) and pinyin (bottom) for Gwoyeu Romatzyh's official name 國音字母第二式 ('Second Pattern of the National Alphabet'; middle)
Despite support from linguists both in China and overseas—including some early proponents who hoped it would eventually replace Chinese characters altogether—GR never achieved widespread use among the Chinese public, who generally lacked interest in the system or viewed it with hostility due to its complex spelling rules. In places where GR had gained traction, it was eventually replaced—largely by Hanyu Pinyin (or simply "pinyin"), which became the international standard during the 1980s, and itself follows principles originally introduced by GR. Widespread adoption of the system was also hindered by its narrow calibration to the Beijing dialect, during a period when China lacked the strong central government needed to impose use of a national spoken language. (Full article...)
In his Dream Pool Essays or Dream Torrent Essays (夢溪筆談; Mengxi Bitan) of 1088, Shen was the first to describe the magnetic needle compass, which would be used for navigation (first described in Europe by Alexander Neckam in 1187). Shen discovered the concept of true north in terms of magnetic declination towards the north pole, with experimentation of suspended magnetic needles and "the improved meridian determined by Shen's [astronomical] measurement of the distance between the pole star and true north". This was the decisive step in human history to make compasses more useful for navigation, and may have been a concept unknown in Europe for another four hundred years (evidence of German sundials made circa 1450 show markings similar to Chinese geomancers' compasses in regard to declination). (Full article...)
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Posthumous portrait
Du Fu (Chinese: 杜甫; Wade–Giles: Tu Fu; 712–770) was a Chinese poet and politician during the Tang dynasty. Together with his elder contemporary and friend Li Bai, Du is often considered one of the greatest Chinese poets. His greatest ambition was to serve his country as a successful civil servant, but Du proved unable to make the necessary accommodations. His life, like all of China, was devastated by the An Lushan Rebellion of 755, and his last 15 years were a time of almost constant unrest.
Although initially he was little-known to other writers, his works came to be hugely influential in both Chinese and Japanese literary culture. Of his poetic writing, nearly fifteen hundred poems have been preserved over the ages. He has been called the "Poet-Historian" and the "Poet-Sage" by Chinese critics, while the range of his work has allowed him to be introduced to Western readers as "the Chinese Virgil, Horace, Ovid, Shakespeare, Milton, Burns, Wordsworth, Béranger, Hugo or Baudelaire". (Full article...)
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Publicity photo of Anna May Wong from Stars of the Photoplay, 1930
Wong Liu Tsong (January 3, 1905 – February 3, 1961), known professionally as Anna May Wong, was an American actress, considered the first Chinese American film star in Hollywood, as well as the first Chinese American actress to gain international recognition. Her varied career spanned silent film, sound film, television, stage, and radio.
Born in Los Angeles to second-generation Taishanese Chinese American parents, Wong became engrossed with films and decided at the age of 11 that she would become an actress. Her first role was as an extra in the movie The Red Lantern (1919). During the silent film era, she acted in The Toll of the Sea (1922), one of the first films made in color, and in Douglas Fairbanks' The Thief of Bagdad (1924). Wong became a fashion icon and had achieved international stardom in 1924. Wong had been one of the first to embrace the flapper look. In 1934, the Mayfair Mannequin Society of New York voted her the "world's best dressed woman." In the 1920s and 1930s, Wong was acclaimed as one of the top fashion icons. (Full article...)
The modern Chinese varieties make frequent use of what are called classifiers or measure words. One use of classifiers is when a noun is qualified by a numeral or demonstrative. In the Chinese equivalent of a phrase such as "three books" or "that person", it is normally necessary to insert an appropriate classifier between the numeral/demonstrative and the noun. For example, in Standard Chinese, the first of these phrases would be: (Full article...)
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A Yuan-era stele in the ruins of the Cross Temple. Another stele (left) and some scattered groundwork (right) are visible in the background.
The Cross Temple (Chinese: 十字寺; pinyin: Shízì sì) is a former place of worship in Fangshan, Beijing. The temple was used during different periods by Buddhists and early Chinese Christians. Though it was originally built as a Buddhist temple, some scholars hypothesise that it saw Christian use during the Tang dynasty (618–907). The temple was used by Buddhists during the Liao dynasty (916–1125) and by Christians during the Yuan dynasty (1271–1368). It returned to Buddhist use during the Ming dynasty (1368–1644), before being sold in 1911. It was first recorded in modern scholarship in 1919, damaged during the Cultural Revolution, and re-established as a national-level protected site in 2006. Some scholars consider it to be the only place of worship of the Church of the East (also known as Nestorian Christianity) discovered in China.
Today, the site features two ancient steles, as well as groundwork and the bases of several pillars. The steles date to the Liao and Yuan dynasties, but their inscriptions were tampered with during the Ming. During the early 20th century, two stone blocks carved with crosses and other patterns were also discovered at the site, with one of them also bearing an inscription in Syriac. The blocks are presently on display at the Nanjing Museum. (Full article...)
St. Michael's Cathedral (German: Kathedrale St. Michael; Chinese: 圣弥爱尔大教堂; pinyin: Shèng Mí'ài'ěr Dàjiàotáng), also called the Zhejiang Road Catholic Church (Chinese: 浙江路天主教堂), is a Catholic church in Qingdao (Tsingtao), Shandong Province, China, and is the seat of the bishop of the Diocese of Qingdao (Tsingtao). It is located in the oldest part of Qingdao, at 15 Zhejiang Road, on the east side of Zhongshan Road in Shinan District. Built by German missionaries, the cathedral stands at the top of a hill in the center of the old German-built part of the city. It is the largest example of Romanesque Revival architecture in the province, resembling a German cathedral of the 12th century.
St. Michael's Cathedral is the product of a strong German presence in Shandong Province in the 19th and early 20th centuries. In the mid-19th century the European powers forcibly opened China to foreign trade. The Divine Word Missionaries built a church in the Jiaozhou Bay concession in Shandong in 1902, and in 1934 erected the cathedral, which remained nominally under their administration until 1964. In 1942 it came under the control of the Japanese Army, returning to Chinese control when the Japanese left Qingdao in 1945. In the early 1950s, all foreign missionaries, including the Bishop of Qingdao, were either imprisoned or expelled from China, and during the Cultural Revolution (1966–1976) the cathedral was defaced and abandoned. In 1981, it was repaired by the government and reopened for services, and in 1992 it was listed as a Provincial Historic Building by the government of Shandong Province. (Full article...)
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The Western Han dynasty in 2 AD
Principalities and centrally-administered commanderies
The Han dynasty was an imperial dynasty of China (202 BC – 9 AD, 25–220 AD) established by Liu Bang and ruled by the House of Liu. The dynasty was preceded by the short-lived Qin dynasty (221–206 BC) and a warring interregnum known as the Chu–Han contention (206–202 BC), and it was succeeded by the Three Kingdoms period (220–280 AD). The dynasty was briefly interrupted by the Xin dynasty (9–23 AD) established by the usurping regent Wang Mang, and is thus separated into two periods—the Western Han (202 BC – 9 AD) and the Eastern Han (25–220 AD). Spanning over four centuries, the Han dynasty is considered a golden age in Chinese history, and had a permanent impact on Chinese identity in later periods. The majority ethnic group of modern China refer to themselves as the "Han people" or "Han Chinese". The spoken Chinese and written Chinese are referred to respectively as the "Han language" and "Han characters".
Dragon: The Bruce Lee Story is a 1993 American biographicaldrama film directed by Rob Cohen. The film stars Jason Scott Lee, with a supporting cast including Lauren Holly, Nancy Kwan, and Robert Wagner. The film follows the life of actor and martial artist Bruce Lee (Jason) from his relocation to the United States from Hong Kong to his career as a martial arts teacher, and then as a television and film actor. It also focuses on the relationship between Bruce and his wife Linda, and the racism to which Bruce was subjected.
The primary source of the screenplay is Cadwell's 1975 biography Bruce Lee: The Man Only I Knew. Other sources include Robert Clouse's book Bruce Lee: The Biography and research by Cohen, including interviews with Cadwell and Bruce's son, Brandon Lee. Rather than a traditional biographical film, Cohen decided to include elements of mysticism and to dramatise fight scenes to give it the same tone as the films in which Bruce starred. Dragon was filmed primarily in Hong Kong, Los Angeles and San Francisco. (Full article...)
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Peking opera in Shanghai, 2014
Peking opera, or Beijing opera (Chinese: 京劇; pinyin: Jīngjù), is the most dominant form of Chinese opera, which combines instrumental music, vocal performance, mime, martial arts, dance and acrobatics. It arose in Beijing in the mid-Qing dynasty (1644–1912) and became fully developed and recognized by the mid-19th century. The form was extremely popular in the Qing court and has come to be regarded as one of the cultural treasures of China. Major performance troupes are based in Beijing, Tianjin and Shanghai. The art form is also preserved in Taiwan, where it is also known as Guójù (Chinese: 國劇; lit. 'National opera'). It has also spread to other regions such as the United States and Japan.
Peking opera features four main role types, sheng (gentlemen), dan (women), jing (rough men), and chou (clowns). Performing troupes often have several of each variety, as well as numerous secondary and tertiary performers. With their elaborate and colorful costumes, performers are the only focal points on Peking opera characteristically sparse stage. They use the skills of speech, song, dance and combat in movements that are symbolic and suggestive, rather than realistic. Above all else, the skill of performers is evaluated according to the beauty of their movements. Performers also adhere to a variety of stylistic conventions that help audiences navigate the plot of the production. The layers of meaning within each movement must be expressed in time with music. The music of Peking opera can be divided into the xīpí (西皮) and èrhuáng (二黄) styles. Melodies include arias, fixed-tune melodies and percussion patterns. The repertoire of Peking opera includes over 1,400 works, which are based on Chinese history, folklore and, increasingly, contemporary life. (Full article...)
... that Tarcisio Martina, the representative of the Holy See in China, was sentenced to life imprisonment in 1951 over a plot to assassinate Mao Zedong?
...that the first railway locomotive in China was in service for only 15 months between 1876 and 1877 (pictured) before being purchased and deliberately destroyed by the ruling Qing dynasty?
Chinese noodles at a noodle shop in Tuen Mun, Hong Kong
Chinese noodles vary widely according to the region of production, ingredients, shape or width, and manner of preparation. Noodles were invented in China, and are an essential ingredient and staple in Chinese cuisine. They are an important part of most regional cuisines within China, and other countries with sizable overseas Chinese populations.
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Titular inscription at the entrance to the "Yeren Cave" in Shennongjia
The yeren (Chinese: 野人, 'wild man') is a cryptid apeman reported to inhabit remote, mountainous regions of China, most famously in the Shennongjia Forestry District in the Hubei Province. Sightings of "hairy men" have remained constant since the Warring States Period circa 340 BC through the Tang dynasty (618–907 AD), before solidifying into the modern legend of the yeren. Generally, they are described as savage, strong, and fast-moving, living in mountain caves and descending only to raid villages in search of food or women.
Scientific interest in such apemen erupted in the 1950s and 1960s in conjunction with pseudoscientific discoveries relating to Bigfoot and the yeti, but pressure by the Maoist government to leave behind these kinds of legends and folk stories repressed further interest in the yeren until its dissolution in 1976. Afterwards, large expeditions were launched by the Chinese Academy of Sciences to investigate alleged eyewitness accounts, footprints, hairs, and bodies as "yeren fever" took hold, with scientists working with an unprecedented reliance on citizen science. The yeren was often speculated to be a far removed human relative, such as Gigantopithecus or Paranthropus robustus. All forwarded evidence of the creature originated from known animals — namely bears, monkeys, and gibbons — and scientific interest waned by the late 1980s. Nonetheless, organized yeren research still persists, though no serious scientific institutions recognize such apemen. (Full article...)
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Yangwu(pictured left) with the Chinese gunboat Fuxing at anchor, the night before the Battle of Fuzhou.
Yangwu (Chinese: 揚武; pinyin: Yangwu; Wade–Giles: Yang-wu or Yang Woo) was a wooden corvette built for the Imperial Chinese Navy. She was built in 1872 at the Foochow Arsenal, and was the largest ship built there from the shipbuilding programme of 1868–75. During her early career, she was used as a training ship and under the command of English captains. She later saw action in the Battle of Fuzhou in 1884, the opening action of the Sino-French War, where she acted as the flagship of the Fujian Fleet. Shortly after the start of the battle, she was damaged by a spar torpedo, causing a large explosion and the loss of the majority of her crew; she was sunk shortly afterwards by enemy fire. (Full article...)
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The Battle of Huoyi (霍邑之戰; Wade–Giles: Huo-i) was fought in China on 8 September 617, between the forces of the rebel Duke of Tang, Li Yuan, and the army of the ruling Sui dynasty. Li Yuan, with an army of around 25,000, was advancing south along the Fen River towards the imperial capital, Daxingcheng (the modern Xi'an). His advance was stalled for two weeks due to heavy rainfall, and he was met at the town of Huoyi by an elite Sui army of 20,000 (or 30,000) men. Li Yuan's cavalry, under the command of his two eldest sons, lured the Sui out of the protection of the city walls, but in the first clash between the two main armies, Li Yuan's forces were initially driven back. At that point, possibly due to a stratagem on Li Yuan's behalf, the arrival of the rest of the rebel army, or the flanking maneuver of Li Yuan's cavalry, which had gotten behind the Sui army, the Sui troops collapsed and routed, fleeing back towards Huoyi. Li Yuan's cavalry, however, cut off their retreat. The battle was followed by the capture of weakly defended Huoyi and the advance on Daxingcheng, which fell to the rebels in November. The following year, Li Yuan deposed the Sui and proclaimed himself emperor, beginning the Tang dynasty. (Full article...)
Hoping to repeat the success of the earlier First Phase Campaign, the PVA 13th Army first launched a series of surprise attacks along the Ch'ongch'on River Valley on the night of November 25, 1950, at the western half of the Second Phase Campaign (Chinese: 第二次战役西线; pinyin: Dì'èrcì Zhànyì Xīxiàn), effectively destroying the Eighth United States Army's right flank, while allowing PVA forces to move rapidly into UN rear areas. In the subsequent battles and withdrawals from November 26 to December 2, 1950, although the Eighth Army managed to avoid being surrounded by PVA forces, the PVA 8th Army were still able to inflict heavy losses onto the retreating UN forces, which had lost all cohesion. In the aftermath of the battle, the Eighth Army's heavy losses forced all UN forces to retreat from North Korea to the 38th Parallel. (Full article...)
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Shu Xiuwen in the 1940s
Shu Xiuwen (1915– 17March 1969), also romanized as Shu Hsiu-wen, was a Chinese film and stage actress, as well as the first voice actress in China. She grew up in poverty but made a name for herself in the drama and film industry of Shanghai before the Second Sino-Japanese War, and then in the wartime capital Chongqing. She starred in numerous films and stage plays, including her most acclaimed film The Spring River Flows East, and was recognized as one of China's top four actresses.
The Han dynasty in 2 CE (brown), with military garrisons (yellow dot), dependent states (green dot), and tributary vassal states (orange dot) as far as the Tarim Basin in the western part of Central Asia. The Han dynasty (206 BCE – 220 CE) was the second imperial dynasty of China. It followed the Qin dynasty, which had unified the Warring States of China by conquest. It was founded by Liu Bang (Emperor Gaozu). The dynasty is divided into two periods: the Western Han (206 BCE – 9 CE) and the Eastern Han (25–220 CE), interrupted briefly by the Xin dynasty (9–23 CE) of Wang Mang. These appellations are derived from the locations of the capital cities Chang'an and Luoyang, respectively. The third and final capital of the dynasty was Xuchang, where the court moved in 196 CE during a period of political turmoil and civil war.
Daisy Yen Wu (Chinese: 吴严彩韵, 12 June 1902 – 27 May 1993) was the first Chinese woman engaged as an academic researcher in biochemistry and nutrition. Born into a wealthy industrial family in Shanghai, from a young age she was tutored in English and encouraged to study. She graduated from Nanjing Jinling Women's University in 1921 and then studied in the United States, graduating with a master's degree in biochemistry from Teachers College, Columbia University in 1923. Returning to China, she became an assistant professor at Peking Union Medical College between 1923 and her marriage at the end of 1924 to Hsien Wu. Collaborating with him, she conducted research on proteins and studied nutrition. After their marriage she continued to assist in the research conducted by Wu as an unpaid staff member until 1928. She and her husband collaborated in writing the first Chinese textbook on nutrition, which remained in print through the 1990s.
While raising their children, Yen Wu recognized that educational opportunities were limited and founded the Mingming School (Chinese: 明明学校) in 1934 to provide a modern comprehensive education for Chinese children. She also raised funds in 1936 to build a school hospital for their alma mater, the Jinling Women's College, and earned a degree in French. In 1949, as her husband was in the United States and unable to return because of the Chinese Communist Revolution, she took the children abroad. Hired as a researcher for the Medical College of Alabama, she resumed collaboration with her husband, until his death in 1959. Moving to New York City in 1960, she conducted research for the United Nations Children's Fund to develop nutritional standards from 1960 to 1964. From 1964 to 1971 she worked as a lecturer and created a reference library for the Institute of Human Nutrition at Columbia University College of Physicians and Surgeons and from 1971 to 1987 she worked at St. Luke's Hospital Center, creating a library for the New York Obesity Research Center. Throughout her life, Yen Wu created numerous scholarships in China, Taiwan, and the United States which bear the name of family members and allow students to further their education. She died in 1993 in Ithaca, New York. (Full article...)
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Map of Belitung Island showing the Belitung shipwreck marked with a red cross (2°45′00"S, 107°35′36"E) The Belitung shipwreck (also called the Tang shipwreck or Batu Hitam shipwreck) is the wreck of an Arabian dhow that sank around 830 AD. The ship completed its outward journey from Arabia to China but sank on the return voyage from China, approximately 1.6 kilometres (1 mi) off the coast of Belitung Island, Indonesia. The reason the ship was south of the typical trade route when it sank remains unclear. Belitung lies southeast of the Singapore Strait, approximately 610 kilometres (380 mi) away, a secondary route that was more common for ships traveling between China and the Java Sea, which is south of Belitung Island.
The wreck has provided archaeologists with two major discoveries: the largest single collection of Tang dynasty artifacts found outside China, known as the "Tang Treasure," and the Arabian dhow itself, which offers new insights into the trade routes between China and the Middle East during that period. The treasure has been preserved as one collection, and efforts during excavation to maintain the integrity of the site and its cargo have produced detailed archaeological evidence. This evidence has provided new knowledge of the shipbuilding techniques of the time, as well as insights into the nature and style of the traded artifacts, shedding light on the trade between these two regions. (Full article...)
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Girl Playing a Jade Flute by Xue Susu, self-portrait
Xue Susu (Chinese: 薛素素; also known as Xue Wu (薛五), Xuesu (薛素), Sujun, among other pen names) (c.1564–1650? C.E.) was a Chinese courtesan during the Ming Dynasty. She was an accomplished painter and poet who was particularly noted for her figure paintings, which included many Buddhist subjects. Her works are held in a number of museums both in China and elsewhere. Her skill at mounted archery was commented upon by a number of contemporary writers, as were her masculine, martial tendencies; these were regarded as an attractive feature by the literati of the period.
She lived in Eastern China, residing for most of her life in the Zhejiang and Jiangsu districts. After a career as a celebrated courtesan in Nanjing, Xue Susu was married about four times. During her later life, she eventually opted for the life of a Buddhist recluse. (Full article...)
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Oei Hui-lan in 1922, with her son Yu-chang Wellington Koo Jr., photographed by Henry Walter Barnett
Both the parents of Oei Hui-lan hailed from the establishment: her father stemmed from one of the wealthiest families in Java, while her mother came from the 'Cabang Atas' aristocracy as a descendant of a Luitenant der Chinezen in Semarang's 18th-century Dutch bureaucracy. After an unsuccessful marriage with Caulfield-Stoker, she met Wellington Koo while in Paris in 1920. They married in Brussels the following year and first lived in Geneva in connection with the establishment of the League of Nations. In 1923, she moved with her husband to Beijing where he served as Acting Premier in the evolving republican Chinese state. During his second term (October 1926—June 1927), Wellington Koo also acted as President of the Republic of China for a brief period, making Oei Hui-lan the First Lady of China. The couple then spent time in Shanghai, Paris and London where Oei Hui-lan became a celebrated hostess. In 1941, she moved to New York where she died in 1992. (Full article...)
Hon Chio Leong of Smart Life Racing Team won the Grand Prix from pole position after winning the qualification race the day before. Leong was the first Macau driver to win the Macau Grand Prix since André Couto in the 2000 race, and the third overall. Wing Chung Chang of the Chengdu Tianfu International Circuit Team finished second, and the podium was completed by the highest-placed Chinese driver, Li Sicheng of the LEO Geeke Team, who finished third. The race results earned He Zijian the Drivers' Championship and the LEO Geeke Team the Teams' Cup. (Full article...)
Ye Qianyu (or Yeh Ch'ien-yü; 31 March 1907 – 5 May 1995) was a Chinese painter and pioneering manhua artist. In 1928, he cofounded Shanghai Manhua, one of the earliest and most influential manhua magazines, and created Mr. Wang, one of China's most famous comic strips.
The Weiquan movement is a non-centralized group of lawyers, legal experts, and intellectuals in China who seek to protect and defend the civil rights of the citizenry through litigation and legal activism. The movement, which began in the early 2000s, has organized demonstrations, sought reform via the legal system and media, defended victims of human rights abuses, and written appeal letters, despite opposition from the Chinese Communist Party (CCP). Among the issues adopted by Weiquan lawyers are property and housing rights, protection for AIDS victims, environmental damage, religious freedom, freedom of speech and the press, and defending the rights of other lawyers facing disbarment or imprisonment.
Individuals involved in the Weiquan movement have met with occasionally harsh reprisals from Chinese government officials, including disbarment, detention, harassment, and, in extreme instances, torture. Authorities have also responded to the movement with the launch of an education campaign on the "socialist concept of rule of law," which reasserts the role of the CCP and the primacy of political considerations in the legal profession, and with the Three Supremes, which entrenches the supremacy of the CCP in the judicial process. (Full article...)
She was part of a flotilla which toured ports during the summer of 1889. Zhiyuan's sole action was at the Battle of the Yalu River on 17 September 1894 during the First Sino-Japanese War. During the battle, she came under heavy fire from the Japanese forces. Having been holed, Deng ordered for the ship to ram an opposing vessel. She was destroyed as she closed, either by a hit on one of her torpedo tubes, or from a Japanese torpedo. This attack, and the subsequent story of her captain and his dog have become embedded in popular culture in the People's Republic of China. A replica of the Zhiyuan was constructed in 2014 at the Port of Dandong, while the wreck was discovered in 2013 after a 16-year search. (Full article...)
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Ruyijun zhuan (如意君傳), translated into English as The Lord of Perfect Satisfaction, is a Chinese erotic novella written in the Ming dynasty by an unknown author. Set in the Tang dynasty, it follows the political career and love life of Empress Wu Zetian. One of the earliest erotic novels published in China, it was repeatedly banned after its publication. (Full article...)
1997 – After nearly 18 years of incarceration, the People's Republic of China releases Wei Jingsheng, a pro-democracy dissident, from jail for medical reasons.
Image 15Red lanterns are hung from the trees during the Chinese New Year celebrations in Ditan Park (Temple of Earth) in Beijing. (from Chinese culture)
Image 31Photo showing serving chopsticks (gongkuai) on the far right, personal chopsticks (putongkuai) in the middle, and a spoon. Serving chopsticks are usually more ornate than the personal ones. (from Chinese culture)
Image 32Main hall and tea house in Dunedin Chinese Garden (from Chinese culture)
Image 45Relief of a fenghuang in Fuxi Temple (Tianshui). They are mythological birds of East Asia that reign over all other birds. (from Chinese culture)
Image 60Gilin with the head and scaly body of a dragon, tail of a lion and cloven hoofs like a deer. Its body enveloped in sacred flames. Detail from Entrance of General Zu Dashou Tomb (Ming Tomb). (from Chinese culture)
Image 61People's Republic of China 10th Anniversary Parade in Beijing (from History of China)
President Bongbong Marcos signs into law the Maritime Zones Act and the Archipelagic Sea Lanes Act which defines the maritime entitlements of the Philippines and set designated sea lanes and air routes. China protests against the laws which is linked to territorial disputes in the South China Sea. (Reuters)(Nikkei Asia)
This is a list of recognized content, updated weekly by JL-Bot (talk·contribs) (typically on Saturdays). There is no need to edit the list yourself. If an article is missing from the list, make sure it is tagged (e.g. {{WikiProject China}}) or categorized correctly and wait for the next update. See WP:RECOG for configuration options.
National Emblem of the Republic of ChinaTsai Ing-wen
The President of the Republic of China is the head of state of the Republic of China (ROC).
The Constitution names the president as head of state and commander-in-chief of the Republic of China Armed Forces (formerly known as the National Revolutionary Army). The president is responsible for conducting foreign relations, such as concluding treaties, declaring war, and making peace. The president must promulgate all laws and has no right to veto. Other powers of the president include granting amnesty, pardon or clemency, declaring martial law, and conferring honors and decorations.
The current President is Lai Ching-te(pictured), since May 20, 2024. Lai is a Taiwanese politician and former physician, who is currently serving as the eighth president of the Republic of China under the 1947 Constitution and the third president from the Democratic Progressive Party (DPP).
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